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J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis

BSG

1:21	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
Contrabass		15	0	5	6	100%
Soprano		6	0	1	4	100%
Tenor		12	0	4	5	100%

J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)

BSG

3:15	Est. Play Time
34	Measures
	1,126Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
Violin 2		18	0	5	6	97%
Contrabass		18	0	5	5	94%
Vcl/Continuo		18	0	5	5	94%
Viola		17	0	5	6	94%
Harpsichord		21	18	7	12	44%
		18	0	5	5	92%

J.D. Zelenka: Lamentatio I (complete, from ZWV 53)

BSG

16:22	Est. Play Time
150	Measures
	1,706Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	10	8	96%
Contrabass		23	0	10	8	96%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		23	0	10	8	96%
Contrabass		23	0	10	8	96%
Violin 1		28	0	11	11	75%
Violin 2		27	0	11	9	75%
Bass		16	0	5	9	74%
Viola		23	0	7	9	59%
Oboe 1		19	0	8	9	31%
Oboe 2		19	0	7	8	29%

Five beloved Bach continuo solos for realization exercise

BSG

1:27	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		25	0	7	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		25	0	7	6	100%

T.L. de Victoria: Aestimatus sum

BSG

1:53	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2		11	0	2	6	97%
Bass 1		12	0	2	6	91%
Bass 2		10	0	2	6	76%
Tenor 1		10	0	1	6	64%

J. S. Bach: Contrapunctus XIV (extant torso, from BWV 1080)

BSG

8:40	Est. Play Time
239	Measures
	2,289Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		25	0	9	7	90%
		21	0	7	7	82%
		22	0	8	7	84%
		27	0	11	7	92%
Reed Contrabass		22	0	7	7	62%

Schubert: Sonata #20 in A, Andantino (D959 #2)

BSG

20:00	Est. Play Time
200	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano RH		52	77	24	9	92%
		54	28	27	9	87%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano RH		52	77	24	9	92%
		54	28	27	9	87%

J. S. Bach: Ach, Gott und Herr (per canonem), BWV 714

BSG

1:22	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	5	7	91%
Viola		10	0	3	4	68%
Violoncello		16	0	5	5	68%

A. Turenkov: Разбойника благоразумнаго (The Wise Thief)

BSG

0:40	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	6	100%
Soprano		13	8	2	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	6	100%
Soprano		13	8	2	6	100%
Tenor		13	8	3	6	100%
Bass		16	10	1	5	96%

J. S. Bach: Christus, der uns selig macht (Urfassung; BWV 620A)(on Grabowski/Hauptwerk Giubiasco)

BSG

1:51	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
		12	0	3	5	100%
Bass Trombone		12	0	3	5	100%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
Realization		16	46	5	7	100%
Tromba		11	0	1	5	100%
Viola		18	0	6	6	100%
Continuo		25	0	8	4	92%
Violoncello		25	0	8	4	92%
Alto		14	0	4	5	81%
Bass		16	0	4	4	81%
Soprano		11	0	1	4	81%
Tenor		15	0	5	6	81%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		18	54	7	4	33%
		26	0	10	7	96%
Vcl		26	3	10	7	96%
Tenor		18	0	7	5	86%
Viola		18	0	7	5	86%
Alto		18	0	6	6	84%
Violin 2		18	0	6	6	84%
Soprano		18	0	7	5	79%
Violin 1		18	0	7	6	79%
Bass		17	0	5	6	71%
Tromba 1		14	0	2	6	38%
Ped		10	0	2	5	33%
Trombone		10	0	2	5	33%
Tromba 2,3		11	20	1	4	22%
Timpani		2	0	0	3	21%
Oboe		13	16	3	5	20%

J. S. Bach: Study material for BWV 78.1 (edited by BSG)

BSG

1:48	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	6	100%
T/B		20	0	7	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	6	100%
T/B		20	0	7	6	92%

J. S. Bach/Tovey: Contrapunctus XIV (D. F. Tovey completion)

BSG

11:32	Est. Play Time
317	Measures
	3,431Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		26	0	9	7	91%
		22	0	8	7	86%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		26	0	9	7	91%
		22	0	8	7	86%
		22	0	8	7	87%
		27	0	11	8	92%
Reed Contrabass		25	0	8	7	70%

J. S. Bach: Wer nur den lieben Gott läßt walten (BWV 690, manualiter organ chorale prelude)

BSG

2:00	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Reed Organ		16	0	4	7	98%
		24	0	6	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Reed Organ		16	0	4	7	98%
		24	0	6	5	95%

John Goss: Psalm XXIII, Anglican Chant (with Hauptwerk organ)

BSG

0:55	Est. Play Time
23	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		13	0	0	6	97%
		8	0	0	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		13	0	0	6	97%
		8	0	0	2	100%
		11	6	0	4	100%
Bass Flute, TB		11	0	0	4	86%
Flute, SA		11	0	0	4	86%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

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